Why did the chicken cross the road?

Plato: For the greater good.

Karl Marx: It was a historical inevitability.

Machiavelli: So that its subjects will view it with admiration, as a chicken which has the daring and courage to boldly cross the road, but also with fear, for whom among them has the strength to contend with such a paragon of avian virtue? In such a manner is the princely chicken's dominion maintained.

Hippocrates: Because of an excess of light pink gooey stuff in its pancreas.

Jacques Derrida: Any number of contending discourses may be discovered within the act of the chicken crossing the road, and each interpretation is equally valid as the authorial intent can never be discerned, because structuralism is DEAD, DAMMIT, DEAD!

Thomas de Torquemada: Give me ten minutes with the chicken and I'll find out.

Timothy Leary: Because that's the only kind of trip the Establishment would let it take.

Douglas Adams: Forty-two.

Nietzsche: Because if you gaze too long across the Road, the Road gazes also across you.

Oliver North: National Security was at stake.

B.F. Skinner: Because the external influences which had pervaded its sensorium from birth had caused it to develop in such a fashion that it would tend to cross roads, even while believing these actions to be of its own free will.

Carl Jung: The confluence of events in the cultural gestalt necessitated that individual chickens cross roads at this historical juncture, and therefore synchronicitously brought such occurrences into being.

Jean-Paul Sartre: In order to act in good faith and be true to itself, the chicken found it necessary to cross the road.

Ludwig Wittgenstein: The possibility of "crossing" was encoded into the objects "chicken" and "road", and circumstances came into being which caused the actualization of this potential occurrence.

Albert Einstein: Whether the chicken crossed the road or the road crossed the chicken depends upon your frame of reference.

Aristotle: To actualize its potential.

Buddha: If you ask this question, you deny your own chicken-nature.

Howard Cosell: It may very well have been one of the most astonishing events to grace the annals of history. An historic, unprecedented avian biped with the temerity to attempt such an herculean achievement formerly relegated to homo sapien pedestrians is truly a remarkable occurence.

Salvador Dali: The Fish.

Darwin: It was the logical next step after coming down from the trees.

Emily Dickinson: Because it could not stop for death.

Epicurus: For fun.

Ralph Waldo Emerson: It didn't cross the road; it transcended it.

Johann von Goethe: The eternal hen-principle made it do it.

Ernest Hemingway: To die. In the rain.

Werner Heisenberg: We are not sure which side of the road the chicken was on, but it was moving very fast.

David Hume: Out of custom and habit.

Jack Nicholson: 'Cause it [censored] wanted to. That's the [censored] reason.

Pyrrho the Skeptic: What road?

Ronald Reagan: I forget.

John Sununu: The Air Force was only too happy to provide the transportation, so quite understandably the chicken availed himself of the opportunity.

The Sphinx: You tell me.

Mr. T.: If you saw me coming you'd cross the road too!

Henry David Thoreau: To live deliberately ... and suck all the marrow out of life.

Mark Twain: The news of its crossing has been greatly exaggerated.

Molly Yard: It was a hen!

Zeno of Elea: To prove it could never reach the other side.

Chaucer: So priketh hem nature in hir corages.

Wordsworth: To wander lonely as a cloud.

The Godfather: I didn't want its mother to see it like that.

Keats: Philosophy will clip a chicken's wings.

Blake: To see heaven in a wild fowl.

Othello: Jealousy.

Dr. Johnson: Sir, had you known the Chicken for as long as I have, you would not so readily enquire, but feel rather the Need to resist such a public Display of your own lamentable and incorrigible Ignorance.

Mrs. Thatcher: This chicken's not for turning.

Supreme Soviet: There has never been a chicken in this photograph.

Oscar Wilde: Why, indeed? One's social engagements whilst in town ought never expose one to such barbarous inconvenience - although, perhaps, if one must cross a road, one may do far worse than to cross it as the chicken in question.

Kafka: Hardly the most urgent enquiry to make of a low-grade insurance clerk who woke up that morning as a hen.

Swift: It is, of course, inevitable that such a loathsome, filth-ridden and degraded creature as Man should assume to question the actions of one in all respects his superior.

Macbeth: To have turned back were as tedious as to go o'er.

Whitehead: Clearly, having fallen victim to the fallacy of misplaced concreteness.

Freud: An die andere Seite zu kommen. (Much laughter.)

Hamlet: That is not the question.

Donne: It crosseth for thee.

Pope: It was mimicking my Lord Hervey.

Constable: To get a better view.

Yeats: She was following the Faeries that sang to her to come away with them from the dull, bucolic comfort of the farmyard to the waters and the wild.

Shelley: 'Tis a metaphor for the pursuits of man: though 'twas deemed an extraordinary occurrence at the time, still it brought little to bear on the great scheme of time and history, and was ultimately fruitless and forgotten.

Tolkien: Chickens are respectable folk, and well thought of. They never go on any adventures or do anything unexpected. One fine spring day, as the chicken wandered contentedly around the farmyard, clucking and pecking and enjoying herself immensely, there appeared a Wizard and thirteen Dwarves who were in need of a chicken to share in their adventure. Reluctantly she joined their party, and with them crossed the road into the great Unknown, muttering about how rude the Dwarves were to take her away on such short notice, without even giving her time to brush her feathers or fetch her hat.

Poe: The fowl was driven to utter, fervent madness-- it lept 'cross the path in the hopes that sweet death might take his wanton body- by the lead foot of a passerby, the barreling coach of a postman!- and put an end to the mania which had puzzled and tormented him ever since That Day.

city-of-fiction: I think my favourite thing about books is how they shape us. Your book history is…

city-of-fiction:

I think my favourite thing about books is how they shape us. Your book history is uniquely your own, no one else in the world has read the all the same books at the exact same times of their lives as you have, and all those books have changed you so intrinsically that you couldn’t erase their influence on you anymore then you could change your DNA.

lloerwyn: I don’t like modern Arthuriana that pulls the whole ‘Christianity bad and…

lloerwyn:

I don’t like modern Arthuriana that pulls the whole ‘Christianity bad and oppressive, paganism good and woke’ deal because so much Arthurian literature has such interesting religious synchretism that deserves exploring. Obviously it varies story by story, but broadly speaking, this is a world where God exists alongside witchcraft and the fae and this isn’t a contradiction. There’s even some Jewish Arthuriana out there. This complex set of beliefs is honestly way more interesting and tells you a lot more about the medieval worldview than trying to shoehorn in a black and white narrative that fits closer to our modern views on religion.

m-l-rio: One real benefit of reading I rarely hear anybody mention is how much more interesting life…

m-l-rio:

One real benefit of reading I rarely hear anybody mention is how much more interesting life becomes when you read a lot. It depends what you’re reading, of course, but most (good) books will teach you something you didn’t already know, and even if you have to give the book back to the library, you get to take that much with you. A lot of people talk about things they wish they’d studied in school–I’ve done it, too–but it’s a nice consolation prize that you can always pick up a book and learn something new. And as that library in your brain collects more volumes, everything around you gains new resonances, new context, and new connections which make your lived experience richer. In quarantine alone I’ve read about religion and politics and history and evolution and computer science and astrophysics without even leaving my house and it’s already a more interesting world. 

“—he understood the singing of the bird, and the language of the water falling in the basin of the…”

“—he understood the singing of the bird, and the language of the water falling in the basin of the fountain, and the shape of the clouds, and the beginning and end of the wind that stirred the leaves; it seemed to him that he himself was a word spoken by the sunlight.”

- Ursula K. Le Guin, A Wizard of Earthsea.

mythologymondays: It’s that time again, the time where we all gleefully sit down on the nearest…

mythologymondays:

It’s that time again, the time where we all gleefully sit down on the nearest mound and regale ourselves with totally normal Welsh tales of magical women and horses and enchanted bags, because that’s just how the Mabinogion is. Fun sources and FACTS beneath the cut, as always.

Press J on your keyboard if you hate stories about Medieval etiquette, liminality, and magic mounds.

The Prince and the Horse Girl: a temporally disconnected romance for the ages

So, the last we heard of Pwyll, he had successfully cockblocked himself into becoming best friends with Arawn, the Lord of the Underworld, which sounds like a pretty average Friday night in Cardiff, let me tell you. Anyway, Pwyll at this point is just kind of riding high on the fame that being best pals with Arawn brings, and he’s showing his friendship bracelet to everyone he meets and saying stuff like “yeah, it’s great to have the Lord of the Underworld Arawn-ed whenever I need him,” and everyone just sort of rolls their eyes good-naturedly and thinks about death.

One day, Pwyll is at his court at Arbeth, which is one of his most important courts. There’s a huge feast in front of him and all of his courtly pals are there, just chewing the fat. Pwyll tears off the leg of another whole roast pig, probably his eighth of the session, and he’s about to bite into it when he realises that everyone sat around the table is staring at him, so he puts down the pig leg really gingerly and says, “do I have hog spleen around my mouth or something?” and one of his courtly crew, who doesn’t get a name in the original text and so will henceforth be known as Brad, says, “no, my lord, but you do have practically an entire herd of pigs in your stomach, so maybe it’s time for a walk?”

Pwyll blinks at him and he’s like, “I don’t really see why I would want to go for a walk in the yucky outside when I could be sitting here and savouring delicious morsels of tenderly roasted flesh,” and Brad shrugs and says, “well, I read an article about nutrition in this scientific journal last week, and apparently it’s not actually that good for you to just eat constantly and never go outside ever,” and Pwyll is like, “no, but it’s super fun,” and Brad sighs and he’s like, “look, I wasn’t going to tell you this, just in case you got too excited, but there’s actually a mound outside,” and then Pwyll’s eyes go as wide as dinner plates and he cries, “a mound? Seriously? You’re not just fucking with me to get me to go outside?” and Brad is like, “no, there’s seriously a genuine, 100% organic mound outside, and it’s only a short walk away,” and so Pwyll pushes his chair out from under the table and he’s all, “lead the way, pal, I can’t believe you didn’t tell me sooner that there was a fucking rad mound outside, you know how much I love mounds.”

So, they all traipse outside on horseback, and lo and behold, Brad wasn’t lying. There really is an absolutely incredible mound outside, all earthy and hilly, and… look. I’ll level with you. It’s hard to get excited about a mound, but Pwyll manages it. I have no idea how. God knows I’ve tried. But anyway, he leads his merry band of lads up to the top of the mound, and they’re all about to sit down when Brad puts out a hand and stops Pwyll from doing so. Pwyll is like, “dude, stop crushing my vibe, I’m about to become sedentary on this sediment,” and Brad just shakes his head and he’s like, “bro, I need to tell you something about the mound, because I may have undersold it.”

Pwyll is obviously in complete disbelief at this point, just like, “mate, there’s no way you undersold it. It can’t get any cooler than this. It just can’t. Have you seen it?” and Brad is like, “yes, it’s a really interesting geological formation, and the topography also makes it look a bit like a butt, which is obviously super rad, but I didn’t tell you that it’s also a magic mound, because if a nobleman sits on it, one of two things will happen: either he’ll see something absolutely fantastic, like the original The Mummy film starring Brendan Fraser or a cool dog, or he’ll get maimed and mortally wounded. It’s 50/50, to be honest with you.” 

Pwyll just blinks at him, and he’s like, “dude, those are two very different things, but you know, I really can’t pass up the opportunity to see a cool dog,” and Brad says, “I need you to know that the dog was just a random example, I make no canine promises here, I can’t stress that enough,” and Pwyll just shrugs and scoffs, “whatever, dude. Anyway, if I do get totally maimed, I’ve got my posse here, and you’ll do first aid on me, won’t you?” and Brad just sort of nods nervously, because they haven’t even invented antiseptic in Medieval Wales and all their bandages are just, like, old socks drenched in ale, and they don’t have St John Ambulance to teach them all first aid because there isn’t even a J in the Welsh alphabet, and then Pwyll grits his teeth and sits down.

Almost immediately, this brilliant white horse just zooms past them, and Pwyll is like, “oh, that’s fucking sick, my dudes! I thought a dog would be cool, but a horse? Are you kidding me? It doesn’t get much better than this! Equestrian displays are my jam!” and then Brad rolls his eyes and he’s like, “my lord, did you not notice that there was a phenomenally sexy and almost certainly magic lady in gold riding that horse?” and Pwyll is like, “honestly, no, I was kind of distracted by the fetlocks, but now you come to mention it, she’s pretty attractive, I guess. Hey, do you think I could catch up with her and ask her where she got her cool horse?” 

So he gets back on his horse and he tries to catch up with the lady, but even though Pwyll’s horse was sold to him as being the fastest ride on four legs, he can’t even come close to her. He walks back to his lads, his metaphorical tail between his actual legs, and he’s like, “dudes, we’re going to formulate a plan tonight,” and then a random guy in the posse is like, “oh cool, I brought Sharpies,” and they go back to Arbeth Court and spend literally all night just drawing diagrams and equations on a tapestry of England, because that’s probably the best use for it.

The next day, they put their plan in action. Pwyll gets his youngest, fittest lad, plops him on his biggest, muscliest horse, the one that’s like an equine version of that man in Game of Thrones who keeps breaking weightlifting records and is almost definitely earmarked to play Atlas in some big budget Greek myth film, and sends him after the lady. But still, no matter how fast they ride, she’s always one step ahead of them. At one point, they almost catch up with her, but when Pwyll reaches out to stroke her silky blonde hair in a totally normal and cool way, she pulls forward again and he just fucking eats dust. It’s humiliating. 

And this goes on for three days, because princes don’t have, like, hobbies in Medieval Wales, or apparently any princely duties that would make galavanting after a magic horse woman for half a week kind of inconvenient for the general populace, and gradually, Pwyll’s men all bow out one by one, probably because they’ve all developed an absolutely stonking case of piles from being on horseback for three days solid, and then Pwyll is alone in his romantic and also literal pursuit. 

Exhausted, starving and probably desperate for the loo at this point, Pwyll throws his head back and howls, “what the fuck is going on on this day? I’ve tried everything! I’m absolutely stumped. I don’t know what to do about this. I’ve considered it from every possible angle. I chased her, and that didn’t work. I got my wingman to chase her, and that didn’t work. Those are my only two options in the entire world. I just don’t know what else I can do. It’s completely fucking futile, I wish I’d just seen a dog instead,” and then a flash of inspiration comes to him, and he just calls out to the woman, “erm, could you maybe just, like, stop?” and, like a miracle, she does.

When he catches up to her, she glares at him, and says, “I’ve literally been waiting three whole days for you to just ask me to stop, why did it take you so long?” and Pwyll is like, “I sort of thought that it was implied, to be honest with you, what with all the chasing and me crying loudly about my unending solitude and the futility of love,” and she shrugs and says, “well, if we’re to be marred, we really have to work on our communication,” and Pwyll is like, “wait, what, who said anything about marriage?” and she just rolls her eyes, like, “look, I’m a sexy Medieval maiden and you’re a prince with some land and gendered expectations, so of course we’re going to get married,” and he’s like, “well, if we marry, that means I get to ride your horse whenever I want, right?” and she nods, like, “yes, that’s definitely the primary appeal of marriage.” 

But just as he’s about to get down on one knee, she looks at him again, and says, “I should just tell you something super quick, in the name of true love and Medieval marriage etiquette,” and he’s like, “what, your name?” and she says, “no, not that, although it’s Rhiannon, but mostly I’m thinking of the fact that you actually have to wait a whole year to propose to me, because I’m almost engaged to someone else, who I hate, and I need to sort that all out first.” 

Pwyll frowns and says, “hang on, is this going to be another one of those weird magic things where I have to wait a whole year and then conveniently murder someone in a previously determined location?” and she’s like, “what the fuck, no, there’s not going to be any murder at all, just a lavish engagement feast and some nuptials and probably some awkward standing around with the in-laws to-be,” and he’s like, “so why do we have to wait a year?” and she just waves her arms around and says, “temporally disconnected Otherworld shit, my love, I don’t make the rules. Just come to the court of Hyfaidd Hen in exactly a year, and we’ll do the whole ball and chain thing. It’ll be great.” 

So he agrees, because of course he does, and the next thing he knows, it’s a year later, and he goes to Hyfaidd Hen and Rhiannon’s there in this beautiful McQueen wedding dress, looking all Kate Middleton but without the colonial royal associations, and there’s an absolutely exquisite feast laid out, with a whole array of delicious Medieval food, like unseasoned meat pies and room-temperature ale that looks like piss, and Pwyll just thinks to himself how cool it all is, but he also secretly harbours a lingering regret for the previous year, where he was forced after a blunder of etiquette to kill a random man in a duel, and although he feels bad about it, a part of him longs for the decadent adventures of his bachelorhood, when murder was more than just a six letter word. 

They’re all just kind of milling about on the dancefloor, listening to the bards spit some absolute club classics like Y Goddodin by Aneurin, which really gets the toes tapping, when this random dude with a chiseled jawline and a playful glint in his eye comes up to Pwyll and extends his hand for Pwyll to shake. Pwyll, who is completely head over heels for manners and etiquette, shakes the man’s hand, and says, “hello, new friend! What can I do for you?” and Rhiannon elbows him in the side, and hisses, “be careful, fiancé dearest, don’t let him tangle you up in a web of etiquette from which there is no escape,” and Pwyll waves her off, saying, “my sweet darling, I am a prince of Wales; manners are my middle name,” and he turns back to the man. 

The man grins at him, and he says, “I’ve come to ask a favour of you, Pwyll, prince of Wales,” and Pwyll, still enamoured by this man’s manners, is struck by an overwhelming desire to just do whatever this perfectly polite man wants, so he spreads his arms wide in a benevolent gesture, conveniently using it as an excuse to set down his glass of lukewarm piss ale on a nearby shelf, and says, “literally anything you want, my friend, I’ll give you!” and then the stranger’s grin turns into a smirk and he says, “by your word?” and Pwyll is like, “fuck yeah, man, by all of my words, as God and all these noble guests are my witness!” and the stranger is like, “sick bro, I want to marry Rhiannon, and I also want your wedding feast.” 

And Pwyll has no idea what to say to that, because he just promised this man anything he wanted, so he decides that maybe silence is his best bet here, and the man grins at him, and stalks off, knowing that there’s literally nothing that Pwyll can do now except reconsider all of his life choices up to this point.

When the man has left, Rhiannon groans, “you phenomenal dick, that man was Gwawl and he’s the complete bag of dicks that my parents tried to marry me off to, and you just got me affianced to him!” and Pwyll just grits his teeth and hisses, “well, dear, you might have told me that before I told him I’d do whatever he wanted,” and Rhiannon sighs and says, “you’re right, but look, we can work through this. Here’s the plan. Firstly, we’ll tell him that he can’t have the feast, because it’s not yours to give, but mine, and we’ll prepare him an equal feast instead. Then, we’ll tell him that he can marry me a year from today, but here’s the thing - on the day of the wedding, you’ll secretly turn up in disguise with a very tiny magic bag and you’ll ask him, very reasonably, for just enough food to fill the bag. He’ll obviously say yes, because even he can’t turn down something that reasonable, but the bag will be enchanted to never be filled, so you’ll just take all the food, until he asks you how he can help you fill the bag, and you tell him that a fine nobleman has to step on it to seal it, and then he’ll step on it, and then you jump on him and pull the bag over his head and tie him up in the bag and hang it from a rafter, and then you’ll blow your hunting horn to summon your posse of lads and you’ll all beat him to a bloody, pulpy death in the bag.”

Pwyll just blinks at her, and says, “sweetheart, love of my life, light of my existence, did you perchance dream up that oddly specific plan a while ago, because if not, then your imagination terrifies me,” and this small, maniacal grin plays on her lips, and she says, “darling, you know how you asked me last year if you’d have to wait a whole year and then conveniently murder someone in a previously determined location, and I told you no?” and he’s like, “yes, I do remember that,” and she says, “well, ask me again,” and so he says, “babe, do I have to wait a whole year and then conveniently murder someone in a previously determined location?” and she’s like, “yes, sweetheart, but I’ve got it in the bag,” and then they high five each other and do a vengeful murder jig for like ten minutes.

And of course, a year later, they do it all over again, this time with a tiny enchanted bag and a goddamn point to prove, but that’s a story for another time.

My other retellings can be found here, and my Mythology Mondays Facebook page is here. My book is here. Yay.

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