
Mike Harris Junior was elected MPP for Kitchener-Conestoga
defeated Daiene Vernile in the 2019 Provincial Election, and is now the new NDP MPP for Kitchener Centre.
Former Kitchener Centre MPP & Provincial Cabinet Minister at the 2018 Regional Candidates Meeting at The Museum
I’ve just realized Wikipedia needs a bunch of local politician photos, something I can rectify :)
Death of an Internet Freedom Fighter
“We are heartbroken to share the news that Bassel Khartabil was executed by the Syrian government some time after his disappearance in October 2015 in Damascus, Syria.
“Bassel Khartabil, also known as Bassel Safadi, was born in Damascus, Syria on May 22, 1981. He grew up to pursue an education and career in computer engineering. He was the co-founder of the collaborative research company Aiki…
“We are heartbroken to share the news that Bassel Khartabil was executed by the Syrian government some time after his disappearance in October 2015 in Damascus, Syria.
“Bassel Khartabil, also known as Bassel Safadi, was born in Damascus, Syria on May 22, 1981. He grew up to pursue an education and career in computer engineering. He was the co-founder of the collaborative research company Aiki Lab, and the CTO of the publisher Al-Aous. He served as the first project lead and public affiliate for Creative Commons Syria, and contributed to numerous Internet projects, such as Mozilla Firefox and Wikipedia.
“On March 15, 2012, Bassel Khartabil was arrested in the Mazzeh district of Damascus. For more than three years he was detained by the Syrian government at Adra Prison in Damascus. On October 3, 2015, Bassel was removed from his prison cell, and was sentenced to death by a Military Tribunal. We know now for a fact that Bassel Khartabil was executed by the Syrian government some time in October 2015, and we are demanding to know the exact date he was tried and then executed. No information at all was provided to his family until July 2017. The details of his sentencing and execution, and the whereabouts of his remains, are unknown at this time.
“Bassel Khartabil is survived by his wife, Noura Ghazi Safadi, as well as his mother and father.
— The Free Bassel Campaign: STATEMENT ON THE DEATH OF BASSEL KHARTABIL
“At the request of Bassel’s family, Creative Commons is announcing today that it has established the Bassel Khartabil Memorial Fund to support projects in the spirit of Bassel’s work. Creative Commons is accepting donations, and has seeded the fund with $10,000. Bassel was our friend and colleague, and CC invites the public to celebrate Bassel’s legacy and support the continuation of his powerful work and open values in a global community.
Contributions to the fund will go towards projects, programs, and grants to support individuals advancing collaboration, community building, and leadership development in the open communities of the Arab world. The fund will also support the digital preservation, sharing, and remix of creative works and historical artifacts. All of these projects are deeply intertwined with CC’s core mission and values, and those of other communities to which Bassel contributed.
Visit the Bassel Khartabil Memorial Fund page for more on how to get involved. Learn more about Bassel and his work at Wikipedia, FreeBassel.org, EFF, BBC, CNN, and Al Jazeera.”
Here in the “free world,” extraordinary efforts to silence and shut down free software and free culture by large corporations are ongoing. If software freedom was the unquestioned norm I have to wonder: would Bassel even have been arrested?
Today the EFF released these letters Bassel wrote from jail before he disappeared.
What an extraordinary young man. My heart goes out to his family.
“Around the world, activists and advocates seek the sharing of culture, and open knowledge.
Creative Commons, and the global commons of art, history, and knowledge, are stronger because of Bassel’s contributions, and our community is better because of his work and his friendship. His death is a terrible reminder of what many individuals and families risk in order to make a better society.”
— Creative Commons Statement on the death of CC friend and colleague Bassel Khartabil
Image Credit: Bassel Safadi by Joi Ito is released under a Creative Commons Attribution License
In spite of armies of editors and proof readers, main stream publishing has a long history of published typos. And as a writer I can tell you, it’s really easy to miss something, especially in something as substantial as an article or a book. Even if you know how to spell.
Even when a mistakes were caught, it wasn’t reasonable to assume publishers would recall books and reissue them with corrections. Errors wouldn’t be fixed until the second edition. If there was a second edition.
One of the most earth shattering things to happen to the world of proof readers was our move into the digital age with the invention of the spell checker. Suddenly proof readers became obsolete.
But all spell checkers are not equal. When the typo is a real word, no spell checker is going to flag it. The thing we often forget about technology is that it is no more perfect than any other tool; human supervision is still required.
Wikipedia is the poster child for self publishing. Not only does it rely on the good will of the public to add articles and factual information, if errors are made, Wikipedia is self-correcting: the public has the power to correct errors and ommissions, whether of fact or spelling.
All those mainstream publishers who no longer employ enough staff to adequately proof read their content are publishing online in digital formats. Instead of hiring proofreaders, they often have a “report typo” option on their webspage so readers can catch their mistakes for them. Just as CBC does.
This way, when a reader gets hit between the eyes by an annoying typo, we can report it, so others won’t have to suffer as we have.
When I found a typo in the CBC article Chippewas of the Thames vow to continue pipeline fight good neighbor that I am, I decided to let CBC know so the error could be fixed.
So I clicked on the link— it should be easy, right? But it seems CBC isn’t as interested in being told about typos as it is interested in getting personal information about anyone who wants to correct a typo.
This isn’t a news issue, or even a matter of opinion. If I point out the author probably didn’t mean the word “pit,” it doesn’t matter who I am or where I live. I could be living in Iceland and it would still be a typo. Either I’m right or I’m wrong.
Something that ought to take a minute and cost me nothing but a bit of time I was willing to spend, ended up costing me privacy.
There is no need for it, but this has become a prevalent practice online. Our personal information has become a valuable commodity that companies want for themselves, and very often to sell.
If you’ve ever wondered why you get spam, this is why. (I know someone who gave up an email account because he got so much spam.)
We need to stop giving our personal details to companies who have no legitimate need of them.
If you’re buying something that needs to be delivered, sure, you have to give your address. But if you’re making a donation to a political party and they want to be able to connect with you, they will need an address, a phone number, or an email address— but not all three. If you’re leaving a comment or signing a petition, they want to make sure you’re a real person, not a bot.
Companies want it all; whether they need it or not. If you give it to them, when you tell them to stop phoning you, they can send you junkmail or spam. If CBC or any person or company tells you information they have no right to is “required” the correct answer is “none of your business.”
Privacy is an important part of personal security; don’t give up any more than you have to.
“November 16 is a significant date for Métis people and all people in Ontario. On this date in 1885, Métis leader Louis Riel was executed for leading the Northwest Resistance in defence of Métis rights.
Today, Louis Riel is recognized as a statesman, having played a pivotal role in the history of Métis people, as well as the formation of Canada. We commemorate Louis Riel Day annually to honour and celebrate Riel’s contributions, as well as the wide-ranging contributions the Métis people continue to make in Ontario.
Acknowledging Louis Riel’s contributions helps recognize and build respect for the history, culture and identity of Métis people. We will continue working with Métis partners to uphold Riel’s legacy and create new opportunities for Métis people as we continue on the journey of reconciliation together.”
— David Zimmer, Minister of Indigenous Relations and Reconciliation
Louis Riel’s life was rather more interesting than that of the average Canadian statesmen. Today is the anniversary of his execution on 16 November, 1885.
Riel’s historical reputation has long been polarized between portrayals as a dangerous half-insane religious fanatic and rebel against the Canadian nation, or by contrast a heroic rebel who fought to protect his Francophone people from the unfair encroachments of an Anglophone national government. He is increasingly celebrated as a proponent of multiculturalism, although that downplays his primary commitment to Métis nationalism and political independence
— Louis Riel, Wikipedia
Read the Metis Nation‘s more complete account of Louis Riel.
Follow @MetisNationON on Twitter
Back in the days before copyright existed, it was not only common for artists to paint copies of famous art to learn how to paint, to learn their craft, but sometimes because that was the only way they could get access to the subjects they wanted to paint.
Take monarchs, for instance.
This is one of the many anonymous copies of the official portraits of Henry VIII.
[I felt that the framing of the digital image was a bit too tight; there wasn’t enough head room. So I’ve digitally reframed the picture, extending the space between the top of Henry’s head and the frame.]
Sitting for a painted portrait was a gruelling task, magnitudes worse than having your photograph taken. Still, it was one of the things that was expected of a monarch in the days before photography. In the 16th Century, the King of England was expected to take some time out of his busy schedule to pose for a official portraits on occasion.
But the King wouldn’t just sit for any artist, he’d only sit for the best.
In the same way movie stars and presidents and monarchs vied for a chance to be immortalized in black and white by Canada’s world class portrait photographer Yousef Karsh in the 20th Century, Henry VIII wanted only the best. Hans Holbein the Younger was a portrait artist good enough to be appointed King’s Painter, and his work immortalized both Henry VIII and his court. The most famous and perhaps most regal painting that Holbein created was on a mural on the wall of the Privy Chamber of the new Whitehall Palace.
“Portrait of Henry VIII … is one of the most iconic images of Henry and is one of the most famed portraits of any British monarch.”
Henry himself was pleased enough with this work that he encouraged other artists to copy the portrait. What that means to both artists and historians of today is that the work was not lost, even though the original of that iconic painting was destroyed by fire in 1698.
But the painting lives on, and continues to be famous today because it was widely copied.
None of these artists would ever have been able to get access to the king, yet being able to copy official portraits undoubtedly gave them the means to make a living in the art field. Many of artists who made these copies never achieved fame of Hans Holbein the Younger, and many of the surviving copies of this and the other paintings of Henry were in fact painted by artists whose names have been lost. The attribution customarily given the copies is “after Hans Holbein the Younger. But although their names have been lost, an important work of art is preserved for the sake of both our history and our culture.
I don’t know any artists who want to see their work lost. Had the copyright laws of today been in place back then, this work would in fact be lost forever.