Philip K. Dick
December 16, 1928 – March 2, 1982Public Domain art by Christopher Dombres
I was an original Trekkie; as a small child I remember being properly amazed when my older brother explained just how enormous the USS Enterprise was when watching the original run of Star Trek.
The Canadian Trekkie’s Association was born in the EDSS high school library.
My friends and I would meet in the same corner and talk about Trek and science fiction. After I submitted our group name to The Welcommittee, an International Trek fan listing the CTA was added to the international list of Star Trek fan clubs. Suddenly we became more than just a handful of friends sharing an interest, we started getting mail from Canadian Trekkies because we were the Canadian Trekkies Association. Bear in mind, these were the prehistoric days before the existence of email!
As this was Canada, the letters came from all across our massive geography, mostly from isolated fans, largely kids, but no matter what age, these were people who had no one else with whom to discus the incredible ideas they were encountering through Star Trek and other science fiction. This may sound strange today, but back then science fiction was not considered at all cool. It was certainly not mainstream.
Remember back in the 1970′s, Star Trek was a legendary tv series (that didn’t need to be qualified with “TOS” because there was only one Star Trek), and it had been cancelled when I was 10. The idea fueling Star Trek fandom back then was to encourage a rebirth of the series. Who knew it would work?
Suddenly awash with more than 100 Canadian Trekkie penpals, we decided we needed to do something special. That something was my first foray into self publishing: the Canadian Trekkies Association fanzine, Canektion.
We moved our meetings into the high school art room after school. The other CTA founder’s father conveniently owned a printery. (Again, this was prehistory, long before anyone had even thought of desk top publishing. Back then personal computers were still the stuff of science fiction, not reality.) So we set to work and started putting together our publication. My artist brother happened to have a piece of original art he’d created for a job that had fallen through, and so he donated it to our project, and it became the cover art for our very first issue.
We published two issues, incorporating art and text submitted by our Canadian Trekkies, but in the end it proved to be too cumbersome a job for two young women pursuing two very different lives. We tried to scale it back to a more manageable newsletter, but even that was more than we could reasonably manage. All in all, it was a wonderful experience, and my first serious foray into self publishing. (Fortunately selfpub is much easier these days.)
Star Trek showed me there were jobs to be had in the tv and movie business (I had no idea this wasn’t something generally considered doable in Canada). So while my friend & CTA co-founder Susan moved our west to achieve her farming dreams, I went to college to learn how to make movies.
I studied Media Arts at Sheridan College. In my first year, one of my classmates, Greg Dawe, decided to create a feature length sync sound super 8 science fiction epic, “Star Trek: The Movie,” in large part as answer to the dreadful first feature film, “Star Trek: the Motion Picture.”
I played the communications officer on the student production of “Star Trek: The Movie,” but it seems there were no more women regulars on our Enterprise bridge in 1979 than there had been in 1966, certainly none above the rank of Lieurenant. [My friend Lee ought to have been the Captain.]
A good bit of this epic movie was filmed on the life size reproduction USS Enterprise bridge (which I believe had been originally built for the 1976 Star Trek Convention). In 1978 it lived upstairs at the now defunct “Mr. Gameways Ark” in downtown Toronto. I am not sure how he managed it, but somehow Greg convinced the Sheridan College technical theatre department to build him the the navigation console (where Sulu and Chekov sat) which had not been part of the Star Trek set installation until then. That was the price our student film maker paid for use of this amazing set.
Unfortunately the film was never finished, but I have to say, as the CTA co-founder, the experience of playing the communications officer on what was effectively the original series set was something sublime.
A ridiculous number of my fellow Sheridan College students went on to carve careers in the media business… ridiculous because the program had actually been intended for experimental filmmakers, documentarians… hobbyists, really. Before us, making a living wasn’t an expected outcome of the program. We didn’t know that going in; and when we did know, we refused to accept it.
Image Credit:
Star Trek: The Movie Photos taken by my classmate, David Moffatt ~ used with permission;
Thanks Dave!
[reblogged from visual laurel:
Happy Birthday Isaac Asimov]
I may be a little late here, but if memory serves, although January 2nd would have been Isaac Asimov’s birth date of record, it seems to me he told some tale about the actual records being confused due to his family’s emigration from Russia. Whatever else, Asimov was always interesting.
Isaac Asimov was a hugely important influence for me. I loved his books when I first stumbled on “Foundation” in my high school library; Ike took me by the hand and helped me find my way through the worlds of science fiction.
As a reader I loved his bare bones accessible writing style. Devoid of superfluous descriptive padding, his plots were crisp and he wrote just what he needed to bring the story to life.
The good Dr. Asimov’s exploration of robotics throughout his powerful stories was breathtaking, but his non-fiction was excellent, too, because he was brilliant at explaining things so that anyone could understand. (I rather think Malcolm Gladwell is like Asimov without the fiction.) And I have to say, between Asimov’s stories and non-fiction alike, I learned more science from him than I did from any teacher I ever had in school. My grade nine physics teacher was a dead loss at getting through to me; and I’m certain the only reason I passed was because he didn’t want to have to try again.
Much as I loved science fiction, as a writer, I’ve never dared write in this genre because I’ve always felt I lacked the requisite grounding in science, and always thought the only SF I’d want to write would be hard science fiction. (That may change in future.) When I and my friend, Canadian Trekkies Association co-founder Susan Schmidt, published our very first Star Trek and science fiction Fanzine Canektion in the 1970’s, she tackled the science fiction writing while I handled reviews, art and design. I actually mailed a copy off to the good doctor, and was gobsmacked to receive a personal thank you note on a postcard (with a wonderful “Very impressive looking” quote). One of my greatest regrets was losing that postcard at my very first science fiction convention.
I was quite taken with the glimpses of Isaac Asimov the person through the humour in his Hugo Winners introductions. Yet the only book he wrote that was pretty nearly unreadable was the first volume of his autobiography, “In Memory Yet Green,” I paid big bucks for the hardcover version, but after the agony of struggling through it, I knew nothing would ever entice me to read it again so I gave it away. Fortunately he took a better crack at it in later life with “I, Asimov”
One of the best things about Asimov’s writing is that he wrote characters who were human beings. Better yet, it didn’t matter whether they were men, women or robots. The strong and interesting women characters that Asimov wrote — women like Dr. Susan Calvin, Edith Fellowes and Bayta Darell — certainly made a positive impression on me as a young woman. This was pretty radical for his time, especially when you consider that even today some male authors have difficulty writing plausible female characters. Asimov wrote women who existed in their own right; they weren’t just tossed in to be a damsel in distress, a femme fatale or love interest. They were real people. I’ve often been told my own characters live and breathe, and I think this is in no small part due to his example; he showed me how.
I never tire of Asimov’s stories, having read some over and over again, which is why I am saddened by the absence of his work on the shelves of public libraries today. This state of affairs means most of today’s young people will not have the opportunity to stumble across his books the way I did, simply because they aren’t there.
I expect this probably has as much to do with copyright as much as anything. Keep his work locked down tight so as to create an artificial scarcity that will drive the retail price up… a strategy I suspect the great man would not himself have approved. Such market fiddling tends to result in dissipation of a hard won reputation.
The movie version of “I, Robot” was quite a disappointment because the only thing the film makers used of his brilliant book was Asimov’s distinctive title. All I can say is that I am happy Hollywood has kept its fingers off most of his other works. “I, Robot” wasn’t a terrible film, Will Smith is always a joy; it did have a reasonable story, nice special effects and all… actually I might even have liked it if they hadn’t squandered Asimov’s iconic title on a story that bore no resemblance to his seminal collection of robot short stories. And of course the worst thing is that it means that there is now little or no chance of making a proper movie from the book. It would actually have been best as a series of films (or perhaps a mini series) to do the work justice. And that is just too bad.
Isaac Asimov touched my life in many positive ways, and he certainly influenced my decision to become a writer. I just wish I could have thanked him in person.
Image Credit
“Isaac Asimov on Throne” by Rowena Morrill –en:Image:AsimovOnThrone.png, uploaded to en:Wikipedia by en:user:Xiong 14:06, 2 April 2005. Via Wikimedia Commons under the:
GNU Free Documentation License Permission is granted to copy, distribute and/or modify this document under the terms of the GNU Free Documentation License, Version 1.2 or any later version published by the Free Software Foundation; with no Front-Cover Texts, no Back-Cover Texts and with Invariant Sections as indicated. A copy of the license is included in the section entitled “Text of the GNU Free Documentation License.”
It may look like a new logo but that is actually a very OLD logo. There is so much political stuff happening, not to mention self publishing, that I haven’t time, but one thing I intend to do is to republish Canektion here.
Canektion was a Star Trek & Science Fiction fanzine we published in the 1970’s. It was the official fanzine of the Canadian Trekkies Association which met in the art room at EDSS after school. Art teacher George Caesar magnanimously allowed us to hold our meetings there. We actually convinced the other art teacher, Tom Thirtle, to design us a logo. And he did. Is that ever awesome!
So although the Canadian Trekkie’s Association no longer exists, I thought I’d put the logo here.
Because eventually I hope to republish Canektion here.
If anyone is interested, let me know.
When I was young I read a lot. Including pretty much every bit of science fiction I could get my hands on.
There were precious few science fiction movies that were any good back in those days. Bad special effects were part of it, since serious filmmakers didn’t want to do movies that looked hokey.
Also good actors would try to stay out of those movies, because being typecast as a science fiction actor could be the kiss of death to an acting career. Obviously it isn’t like that any more, since the Terminator could become the governor of California.
Every now and then there would be something good. Metropolis. Things to Come. Silent Running.
And then there was Star Wars. Star wars wasn’t really science fiction, it was space opera, but it proved that it was possible to create good special effects. Not looking hokey improved the tone. Suddenly it was cool to make or be in a science fiction movie.
Now that I am less young I read very little science fiction but I’m more likely to watch science fiction movies. And I wouldn’t mind talking about them.